Entries in drawing (19)
The Development of an Idea
In leafing through a sketchbook I came across a series of notes that lay out most of the aims of my current body of work. These notes move all over the place, but the central idea is the use of nature and abstraction as a means of exploring mental states; projecting the inner onto the outer world as well as exploring the parts of one's own psyche and/or body that are foreign and uncontrollable; drives, genetics, disease.
Page one, looking as tangled masses (vines, tent caterpillar nests, cordyceps) as a representation of inner conflict/ outer decay.
Two experiences last summer fed into these ideas. The first was a trip to the dentist involving a tremendous amount of novocaine, the second tasting an unripe persimmon. Both experiences caused my mouth to become a foreign entity. In the case of novocaine, the reason is obvious. With persimmons it is a chemical reaction. Unripe persimmons are extremely astringent; in touching the very tip of my tongue to the fruit caused my tongue to feel as though it was wrapped in cotton, completely dry.
The idea start to come together, leading to my favorite fungus, cordyceps, a nasty little fungus that takes over the bodies of insects, eventually overwhelming and killing them. A nasty metaphor for the unknown.
I'll be the first to admit my ideas move all over the place, I'm incapable of making a piece that is about one thing, each piece tends to represent a grouping of thoughts and experiences rather than anything singular. I like the flow charts because they come as close to representing my thought process as anything else, jumping around from point A to point B via point C as illustrated below.
The "Why"
I thought I would post some of the images that I've been working from the most lately, or as I said in the title, "the why." These are the things that are stuck in my head at the moment. They form the basis of what I am doing.
Tent Caterpillars, beautiful shapes filled with nasty little caterpillars.
Amanita fungus, groteque and beautiful, found growing outside of my old apartment late last year.
Sketches after Soutine, done in Paris at L'Orangerie. I have always been drawn to both the horror and the humor of his paintings of dead animals.
Late Winter/Early Spring. The architecture of trees and vines before they are obscured by leaves, like a line drawing.
Wild Persimmons I found in VA last year, scanned directly into the computer. Masses of the fruit would accumulate on the trail, some whole, some rotten.
Busy drawing
Two of the latest in a series of ink on paper drawings. You can see more in the Works on Paper section of the site. I have been working from two main sources...fungus and tent caterpillars.
Looking ahead to Fall
I am playing with new arrangements for the next exhibition of my Suburban Foraging series in Open Air at the Nave Gallery in Somerville, MA in September 2010. On display, exhibited for the first time, will be my foraging sketchbook drawings executed in 2009 and 2010
The work has been displayed in horizontal rows twice now. This arrangement will be in vertical rows by month, mirroring the passage of the seasons.
The pictures are of my playing with the pages on the floor of my studio in Hartford, CT.