The Development of an Idea
In leafing through a sketchbook I came across a series of notes that lay out most of the aims of my current body of work. These notes move all over the place, but the central idea is the use of nature and abstraction as a means of exploring mental states; projecting the inner onto the outer world as well as exploring the parts of one's own psyche and/or body that are foreign and uncontrollable; drives, genetics, disease.
Page one, looking as tangled masses (vines, tent caterpillar nests, cordyceps) as a representation of inner conflict/ outer decay.
Two experiences last summer fed into these ideas. The first was a trip to the dentist involving a tremendous amount of novocaine, the second tasting an unripe persimmon. Both experiences caused my mouth to become a foreign entity. In the case of novocaine, the reason is obvious. With persimmons it is a chemical reaction. Unripe persimmons are extremely astringent; in touching the very tip of my tongue to the fruit caused my tongue to feel as though it was wrapped in cotton, completely dry.
The idea start to come together, leading to my favorite fungus, cordyceps, a nasty little fungus that takes over the bodies of insects, eventually overwhelming and killing them. A nasty metaphor for the unknown.
I'll be the first to admit my ideas move all over the place, I'm incapable of making a piece that is about one thing, each piece tends to represent a grouping of thoughts and experiences rather than anything singular. I like the flow charts because they come as close to representing my thought process as anything else, jumping around from point A to point B via point C as illustrated below.
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